Tokina 11-16mm f/2.8 Review
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The Tokina 11-16mm f/2.8 lens is a great wide lens for both filmmakers and stills photographers. It has a fast f/2.8 aperture, good build quality, and is designed for cropped sensor cameras. The image quality is good overall, but it suffers from noticeable chromatic aberration, especially at wider apertures. It also has a harsh and distracting bokeh. However, it can still be used on a full-frame camera, though with some limitations.
The Tokina 11-16mm f/2.8 lens is a great wide lens for both filmmakers and stills photographers. It has a fast f/2.8 aperture, good build quality, and is designed for cropped sensor cameras. The image quality is good overall, but it suffers from noticeable chromatic aberration, especially at wider apertures. It also has a harsh and distracting bokeh. However, it can still be used on a full-frame camera, though with some limitations.
Pros
- Fast f/2.8 aperture
- Good build quality
- Wide field of view
- Compatible with full-frame cameras (with limitations)
Cons
- Notable chromatic aberration
- Harsh and distracting bokeh
- Softness in the corners on full-frame cameras
- Barrel distortion at 16mm on full-frame cameras
The lens feels sturdy and well-made, with a smooth zoom ring and a somewhat clunky but functional manual focus ring. The autofocus is a bit noisy but quick and fairly accurate.
The Tokina 11-16mm f/2.8 lens is a popular choice for filmmakers and stills photographers due to its fast f/2.8 aperture, good build quality, and compatibility with cropped sensor cameras. The lens feels sturdy and well-made, with a smooth zoom ring and a somewhat clunky but functional manual focus ring. The autofocus is a bit noisy but quick and fairly accurate. The lens provides a significantly wider field of view compared to standard kit lenses, making it ideal for shooting in small spaces or capturing expansive landscapes. However, the image quality suffers from noticeable chromatic aberration, especially at wider apertures, and the bokeh is harsh and distracting. Despite being designed for cropped sensor cameras, the lens can still be used on a full-frame camera, but with some limitations such as softness in the corners and barrel distortion at 16mm. Overall, it is a great lens for wide-angle photography and videography, especially on a cropped sensor camera, but with some noticeable optical drawbacks.
Overall, it is a great lens for wide-angle photography and videography, especially on a cropped sensor camera, but with some noticeable optical drawbacks.
Source
This article is based on the review by
Christopher Frost
Christopher Frost is a YouTube channel dedicated to providing in-depth reviews and analyses of photography equipment, particularly lenses. Christopher Frost, the creator and host of the channel, is known for his thorough and detailed evaluations of various lenses from different manufacturers, including Canon, Nikon, Sony, Fujifilm, and others. To learn more, please visit the channel here.